THE ART OF COMMUNICATION
A small museum promotes calligraphy in Russia and the world By Wang Hairong
Alexey Shaburov, Curator of the Contemporary Museum of Calligraphy in Moscow, Russia, shows a book of calligraphic work on the 36 military tactics applied during wars in ancient China on November 24
As its name suggests, the Sokolniki Culture and Recreation Park in Moscow is more than just an outdoor retreat. It also offers an opportunity for cultural enrichment. Deep in this large expanse of dense woodland stand several rows of buildings, one of which, a twostory structure with orange trimming, is the Contemporary Museum of Calligraphy.
Officially opened to the public in August 2008, the museum houses more than 200 art pieces including Arabic, Chinese, European, Indian, Japanese and Slavic calligraphic works.
“One of the most interesting items in the museum is a book of calligraphic work on the 36 military tactics applied during wars in ancient China,” Alexey Shaburov, founder and curator of the museum, told a group of reporters from the China International Publishing Group (CIPG) on November 24.
综上所述，中庸丰富的内涵使其表现出了多样化、多层次的实践和功能，本研究意在社会认知基本维度框架下，探索中庸思维与个人特质的关系，描述中庸思维者的典型特征。
The giant book is displayed in a large glass case. Shaburov took it out and thumbed through its pages to show some of its content. Each stratagem, usually expressed in four Chinese characters, is written on one page and accompanied by a Russian translation on another page. The stratagems embody the wisdom of Chinese people, and are not only useful on the battlefield, but also for business and personal life, according to Shaburov.
The museum has played an important role in promoting calligraphy in Russia. “Calligraphy wasn't seen as an art form in Russia. But this year, some of the artworks from our museum, including those of Chinese origin, were made a part of the non-public section of the Russian museum collection,” Shaburov said, adding that this means that calligraphic works are acknowledged as cultural heritage and will be protected in Russia.
Many Chinese works in the museum were donations from various calligraphy and painting associations in China, he said. The first one was donated in 2008 by Ye Bo, a professor at the Beijing Institute of Graphic Communication.
He said he became fascinated with calligraphy as a way to bring his thoughts to life with beauty and power. After reading an inflight magazine article about museums, he decided to establish one in Moscow to bring calligraphy to the city.
In addition to being a treasure trove of art, the museum serves as a cultural and educational center where excursions and workshops are held and calligraphy and lettering courses are offered to children and adults.
通过采取以上的教学措施和教学内容的选取，所担任的班级在最后的一次考试实验过程中，绝大多数都能规范、顺利完成实验内容，并能对实验现象做出合理的分析，为有机化学实验课画上了圆满句号的同时，为以后的学习和科研奠定了一定的基础。
This year marks the 70th anniversary of the establishment of diplomatic ties between China and Russia, leading to a flurry of celebration activities at the museum.
An exhibition titled the Great Chinese Calligraphy and Painting was held in September, something Shaburov was clearly proud of. The three-day event displayed about 450 pieces of calligraphic work and paintings and attracted approximately 30,000 visitors, he said.
在37℃，72 h培养时间条件下，研究不同接种量对酯化力的影响，实验结果见图5。由图5可知，随着接种量的增加，酯化力先增高后降低。接种量为1%时，发酵产物的酯化力较低。当接种量为2%时，麸曲的酯化力最高，与1%接种量的发酵产物相比有了明显的提高。之后增大菌种的接种量，发酵产物的酯化力没有明显的提高。
At the opening ceremony of the exhibition, Ivan Melnikov, First Deputy Chairman of the State Duma, the lower house of the Russian parliament, and Chairman of the Russia-China Friendship Association, said cultural and peopleto-people exchanges are important pillars of Russia-China cooperation.
人际情绪管理问卷最终版包含4个分量表，每个分量表含有5个项目，共20个项目.研究表明，分量表均具有着较好的内部一致性信度，强化积极情绪分量表α=0.89，观点采择分量表α=0.91，寻求抚慰分量表α=0.94，社交模型分量表α=0.93[21].除此之外，研究还考察了人际情绪管理问卷和自我-他人情绪调节量表、情绪管理问卷等多个相关量表之间的关系，结果表明人际情绪管理问卷具有较好的聚合效度和区分效度[21].
Shaburov has visited China many times. In January, he visited CIPG in Beijing, introducing his museum and proposing co-organizing activities for the promotion of Chinese brush calligraphy. He also attended a meeting of the China Hard Pen Calligraphy Association in Beijing as a guest of honor.
“I'm proud to contribute to the preservation of the beauty and richness of the writing traditions of different nations for future generations,” Shaburov said.
(Reporting from Moscow, Russia)
Copyedited by Rebeca Toledo
Comments to wanghairong@bjreview.com
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