Title：Goddess, God and woman -- the historical evolution of the ghost image of Zhongshan in the painting of nine songs
作者：赵蕙
关键词：屈原,九歌图,山鬼形象,演变
论文类型：期刊论文
论文来源：美术教育研究 2019
摘要：九曲《山鬼图》用离愁的委婉语描绘了一个山鬼的形象。历代画家根据自己对《九歌·山鬼》原文的独特解读和自身的体验与感悟，创作了不同的山鬼形象。李公麟、张沃、赵孟复、陈洪寿、徐悲鸿的山鬼形象呈现出三大变化：传统的悲柔女神形象——张匡荒诞的神灵形象——清新世俗传统与现代融合的新女性形象。研究山鬼形象的演变，可以增强研究者通过绘画了解文学和历史的能力，有助于研究者从绘画的角度理解屈原和九歌的独特阐释，有助于深化以《九歌》为代表的楚辞、屈原接受史研究。
Abstract：Nine songs Mountain Ghost depicts the image of a mountain ghost in the euphemism of leaving sorrow. According to their unique interpretation of the original text of "nine songs, mountain ghosts" and their own experience and perception, painters of all ages created different images of mountain ghosts. The images of mountain ghosts written by Li Gonglin, Zhang Wo, Zhao Mengfu, Chen Hongshou and Xu Beihong show three major changes: the traditional goddess image of sadness and softness -- the grotesque God image of Zhang Kuang and uninhibited -- the new female image of the integration of fresh secular tradition and modern times. The study of the evolution of the image of mountain ghosts can enhance the ability of the researchers to understand the literature and history by painting, help the researchers to understand the unique interpretation of Qu Yuan and Jiu Ge from the perspective of painting, and help deepen the study of the acceptance history of Chu Ci and Qu Yuan represented by Jiu Ge.
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